![]() When the brothers became too controlling, Kreymborg resigned as editor. However, The Glebe’s wealthy backers, the Boni brothers, had a proclivity for European writers that clashed with Kreymborg’s preference for Americans. As the editor of The Glebe, Kreymborg expected to be “unhampered in his editorial inclinations” (419). ![]() It was there that he founded his first little magazine The Glebe 1913 (Allen 418). At the Round Table he met Man Ray and Samuel Halpert, with whom he moved into a rural cottage in New Jersey, known as Ridgefield Cottage or the Grantwood Colony (50). As he began frequenting artist hangouts, Kreymborg met Marsden Hartley who invited him to Alfred Stieglitz’s “Round Table” of struggling artists. As a young man juggling a day job to support nightly artistic pursuits, Kreymborg met Alanson Hartpence, who convinced him to pursue art full time. Though he did not go on to run the family cigar business, he did inherit his father’s prodigious chess skills (Churchill, “Making Space” 49). He was born in 1883 to a German father and an American mother in New York City. Loy was published in the first edition of others in 1915 and the two had an ongoing professional and personal relationship.Īlthough relatively unknown, Alfred Kreymborg was an influential magazine editor, poet, playwright, literary historian, and node in the networks of the historical avant-garde. ![]() They overlapped as long as Loy was in New York but were connected to the same social circles long before Loy’s arrival in NY. ![]()
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